Webcasting Rates - Sound Exhchange
This is the first in a multi-part series covering the fees college stations that webcast need to pay.
The very first and basic concept that the newbie needs to understand is that all music has some form of copyright attached to it.
The most common use, as it pertains to college stations, there is the "composition" copyright. Essentially, this copyright gives the person who created the song (lyrics, musical notes, etc.) an ownership right in what they have created. This means that the owner can control who has access to the work they have created and how much someone who uses that creative work will pay for each use of the music (creative work).
Broadcast college stations normally pay ASCAP, BMI and SESAC a "blanket" fee for the use of any and all compositions most, composers use one of these three organizations to register their creations, collect fees and then distribute the collected fees.
NOTE: This is not a course on copyright law. I will discuss issues related to college stations, nothing more based upon my experiences.
Next, we will cover additional rights, including how the composition right applies to webcasting. In additional items, we will cover sound recoding rights and ephemeral rights, as they pertain to college stations.
Will R
The very first and basic concept that the newbie needs to understand is that all music has some form of copyright attached to it.
The most common use, as it pertains to college stations, there is the "composition" copyright. Essentially, this copyright gives the person who created the song (lyrics, musical notes, etc.) an ownership right in what they have created. This means that the owner can control who has access to the work they have created and how much someone who uses that creative work will pay for each use of the music (creative work).
Broadcast college stations normally pay ASCAP, BMI and SESAC a "blanket" fee for the use of any and all compositions most, composers use one of these three organizations to register their creations, collect fees and then distribute the collected fees.
NOTE: This is not a course on copyright law. I will discuss issues related to college stations, nothing more based upon my experiences.
Next, we will cover additional rights, including how the composition right applies to webcasting. In additional items, we will cover sound recoding rights and ephemeral rights, as they pertain to college stations.
Will R

